30th October- Etching Print reflections
3oth October-
The process today was frustrating due to the fact I had done it before already for the same plate of copper. The very time consuming nature of the work means that the outcome should feel rewarding. However, after my printing session I was disappointed with the result of the image. This was due to the tiring day partly but also that the use of the image is minimal. I should have been more selective with the object I chose to etch. Although it has a lot of relevance and backing, the image cannot hold this us alone. Therefore, when presented, the process is the more integral part to the work. This is something I have found with etching and discussed with tutors. The fact that this process, in itself, is a labour of love means that this needs to be appreciated before the conceptuality of the work. Therefore the concept of the work does not always speak as fully as it should. Manipulation of the image could be deemed unnecessary for certain themes. Specifically my own. The scythe, in reference to agriculture and broader to the modern agricultural impact on the world is not held up by the image. However, if paired with more information, the etching process is lost in printed words. This issue is similar to the issue I had last year regarding the visual aspect of my work not being fully supportive of the dense research and backdrop. Also the less environmentally friendly aspect of the etching process inserts an ironic critique of my work and does not allow the commentary I am trying to portray.
It is unlikely that I will continue with the etching process due to these factors. also, I have come to realise more throughout this process that I am very impatient and like my time to be utilized as I have planned. The chance that the process may not work does not accommodate this and leaves me frustrated in the wasted materials. I wish I was someone who could find a beauty within the mistake of the work however I do not feel this way. Further to this, I feel there is an ever growing generational divide between artists. The urgency of the issues we research and the funds we have available may differ to those in the generation above us. Therefore not allowing us the privaedge to investigate a process for it material purposes.
Etching Print reflections
Today saw the final installment of the skills 6 workshops. This meant etching our plates and printing the image. I have already gone through this process, recorded and reflected upon it. Therefore today was a repeat of last week. The new aspect of today was the printing of the image after inking the plate and ensuring the etch was deep enough to hold the ink. Further practical reflections are on the past blog post.
The process today was frustrating due to the fact I had done it before already for the same plate of copper. The very time consuming nature of the work means that the outcome should feel rewarding. However, after my printing session I was disappointed with the result of the image. This was due to the tiring day partly but also that the use of the image is minimal. I should have been more selective with the object I chose to etch. Although it has a lot of relevance and backing, the image cannot hold this us alone. Therefore, when presented, the process is the more integral part to the work. This is something I have found with etching and discussed with tutors. The fact that this process, in itself, is a labour of love means that this needs to be appreciated before the conceptuality of the work. Therefore the concept of the work does not always speak as fully as it should. Manipulation of the image could be deemed unnecessary for certain themes. Specifically my own. The scythe, in reference to agriculture and broader to the modern agricultural impact on the world is not held up by the image. However, if paired with more information, the etching process is lost in printed words. This issue is similar to the issue I had last year regarding the visual aspect of my work not being fully supportive of the dense research and backdrop. Also the less environmentally friendly aspect of the etching process inserts an ironic critique of my work and does not allow the commentary I am trying to portray.
It is unlikely that I will continue with the etching process due to these factors. also, I have come to realise more throughout this process that I am very impatient and like my time to be utilized as I have planned. The chance that the process may not work does not accommodate this and leaves me frustrated in the wasted materials. I wish I was someone who could find a beauty within the mistake of the work however I do not feel this way. Further to this, I feel there is an ever growing generational divide between artists. The urgency of the issues we research and the funds we have available may differ to those in the generation above us. Therefore not allowing us the privaedge to investigate a process for it material purposes.
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